With Which I Am Well Pleased V (Miles Out)

A week from today, Marcia and I should be waking up in Santa Fe, New Mexico, one day away from the start of our shared lives’ next chapter in Northern Arizona. We’re leaving Iowa on Thursday, and spending a couple of nights at opposite corners of Kansas (Atchison and Dodge City) on our way to the Southwest, so there’s some work, time and miles to get us to where we’re going, but we’re pleased to be so close, having looked forward to the move for so long.

We’ll be living in an AirBnb in Sedona until at least mid-December, while we hunt for the ideal house, so I will be packing up the home computer where I do the vast majority of my online and real-world work, and putting it into storage for a few months. I will have a laptop with me, so will be able to continue posting and participating in online activities, though it’s always less appealing to me to do so that way than it is to have my nice, big, high-resolution screen, full-sized keyboard, and ample stereo system in front of me while I clatter away. All good and worth it on a macro basis, though. I’ll trade that short-term working inconvenience for the longer-term expected pleasures of warmer weather in a culture more attuned to my own, any and every day.

We’ll also be packing up the television upon which we watch all of our movies, and the iTunes account I use to manage my music will disappear for awhile as well. So it seems a good point to pause today and add an entry to my “With Which I Am Well Pleased” series, offering an assortment of 15 items in various categories for your consideration, since they’ve been rocking my own socially-distant world in recent weeks. If these aren’t enough recommendations to move you fully, or if you’re so thoroughly moved that you need more, more, more, then there are also four earlier installments in this COVID-era collection, here, here, here and here. Knock yourselves out! And note that the next time you see a post with this series title, it’ll be coming to you from a land without endless corn and soybean fields, too many hogs and Covidiots, and a never-ending gnawing cold autumn wind. Pleased!!

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New Thule roof box on new Mazda car.

Monkey Bread from Scenic Route Bakery.

With Which I Am Well Pleased IV (Zoso)

The news is just exhausting these days, isn’t it? I work to stay engaged as a literate, informed citizen, but it’s still a soul-sucking endeavor just reading my small catalog of lucid, trusted sources. I can’t imagine how bad it would be if I was still letting my brain be bludgeoned into pulp by the unrelenting dumb cuts, hot takes, and pointed, perverted propaganda of the social media cesspool. I also continue to do my part as a good member of the herd — masking up, keeping social distance, avoiding restaurants, getting my flu shot, etc. — but I live in one of the very worst states in the Nation in terms of government and community response to the pandemic, so all of my efforts at self- and group-protection could be nullified by one coughing idiot in my apartment building elevator. Did I mention exhausting?

But even in dark times, there are sparkling stars in the sky to guide us, lights at the ends of tunnels to inspire us, and shining works of art, small and sublime, to illuminate the spaces we inhabit. We’re down to less than four weeks remaining in our Iowa time, and we’re already deep into packing boxes and disassembling our apartment. That feels good. Very good. I ordered some sweet new masks, figuring if I’ve gotta wear ’em, then I’m gonna make a statement. Even if that statement is “I’m weird.” We’ve planned a final little Midwestern road-trip over to hike around the Effigy Mounds and Galena, just to get us out of Des Moines for a few days before we head out and turn hardcore Southwestern. And maybe, hopefully, Sweet Jesus let it be so, our current Federal kakistocracy will be on its way out soon if motivated voters get the job done in such overwhelming numbers that the cheaters can’t game the broken system again. You got a voting plan?

On a less macro basis, I continue to find and surround myself with books and films and music and sundries that give me joy and inspiration, and today seems a good time to share a few of those in what’s apparently emerging as an ongoing series. There are three earlier “With Which I Am Well Pleased” installments, here, here, and here. And for this edition, here are 15 of the things that have been rocking my world most effectively, most recently. If you’ve got something else to suggest, hit me in the comments. Always game for good recommendations, as long as they’re not exhausting and soul-sucking!

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The Madness Of “With Which I Am Well Pleased” III

With so many things to be stressed, obsessed and/or depressed about in recent months, those little escapes, thrills and distractions that can brighten the hours and days are to be cherished, without doubt or question.

First and foremost in our family’s case, of course, is that none of us have had any medical emergencies to contend with during this our anno virum. Marcia and I were additionally pleased when Katelin called us earlier this week to tell us that she had received a very nice work promotion, demonstrating that her chosen work-remote situation in Nevada is clearly acceptable and sustainable to her employer, atop the satisfaction that she and John are feeling with their new Western lifestyle. We gave ourselves Six Parenting Gold Stars for that one. Very pleasing.

Marcia and I continue to have our own work opportunities to keep the mental juices and financial benefits flowing, I continue to find things to enjoyably think and write about, and we both continue to prioritize daily woodland and countryside walks of five-miles-plus to keep the body tuned along with the brain.  (I’m also cycling when I can to further that physical component, with ~650 miles covered over ~15 rides since May). We will be heading back up to Minnesota next week to see family in socially safe circumstances, so another change of scenery in Marcia’s beloved home state will feel good, for sure. Keeping on with keeping on, at bottom line. As one does.

Beyond those macro existential things, there are lots of smaller thrills that have delivered me the joy juice of late as well, so it seems fitting to provide a third installment to my “With Which I Am Pleased” series, building on this one and that one. As with the earlier posts, I feature 15 items in various categories, and commend and recommend them for your attention and (maybe) enjoyment as well. May they distract you from distress, alleviate your duress, and/or prepare you to safely impress your social (distant) circles with hot fresh content. Got recommendations for me in return? That’s what the comment button is for. Hit it!

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Going Medieval

Daily Abstract Thoughts

The Diversity of Classic Rock

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With Which I Am Well Pleased (Redux)

While our State of residence is opening up prematurely and irresponsibly, Marcia and I are still doing our part to protect ourselves and others through smart adherence to science-based guidance on social distancing and personal protection. So that means we’re spending a lot of time at home, still, even as we have diligently worked through our dire local climate to get good, healthy walks in every day, usually way out in the countryside away from the selfish, oblivious idiots who are bumbling around our neighborhood as though COVID-19 were a thing of the past already. We’re not exactly experiencing the sabbatical year that we had planned for 2020, but we have our health and we have each other and we have a variety of things, both mundane and meaningful, that are filling the hours and satisfying our souls. At the risk of repeating a titular heresy, I revisit my earlier With Which I Am Well Pleased post for a peek at 15 other specific things that have been keeping me entertained over the past month or so. Maybe you’ll be easily amused by them too.

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With Which I Am Well Pleased

I ended my prior post with the words titling this one. It’s a phrase I often use in written pieces, and one that we as a family often say around our household. I must confess that there’s a spot of respectful blasphemy in using it as often as I do, since the quote is actually culled from a piece of New Testament Scripture, within the story of Jesus’ baptism by John:

And when Jesus was baptized, he went up immediately from the water, and behold, the heavens were opened and he saw the Spirit of God descending like a dove, and alighting on him; and lo, a voice from heaven, saying, “This is my beloved Son, with whom I am well pleased.” (Matthew 3: 16-17 RSV)

Having been raised in a strong scripture teaching tradition, I know there are other bits and bobs of the Bible that dot my speech and writing in odd ways. Those words are deeply ingrained in my mental filing cabinets, easily drawn forth when certain points and positions require comment or exposition, usually completely unrelated to their original occurrence or intention.

“With which I am well pleased” seems particularly resonant right now, since there are so many things that so many of us find displeasing, from the minor nits associated with confinement, to the macro unraveling of the global economy, hyper-partisan politics, and the ever-rising infection and mortality figures that frame and define the news cycle, hour after hour, day after day. So at the risk of further damning myself through misuse of scripture, today I share 15 odds and ends in a quintet of categories that have brightened my days of late, in the hopes that you, too, may find yourself well pleased with them.

And, of course, on the “with whom I am well pleased” question through Life During Quarantine Time, that answer should be quite obvious . . .

(Note: All the images are linked to relevant pages, if you wish to explore further).

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Best of the Archives #11: Trio dans le Studio

THE ARCHIVAL ARTICLE:

TRIO DANS LE STUDIO: ANN MASON STOCKTON, CATHERINE GOTTHOFFER AND DOROTHY REMSEN ON THE HARP IN FILM (1999)

THE BACKGROUND STORY:

As I noted in the background story to my Kim Deal piece, the normal rubric for a musician interview in most print or online publications revolves around the writer asking a fairly short set of questions via phone of a trending artist who either has a new album out or is playing in town soon, then boiling those brief remarks down into a promotional piece. The writer recognizes that the artist will likely have already been asked the same questions many times already by other writers, meaning that their answers may be rote and ossified through repetition, thus limiting the unique value and depth of the articles that emerge from this type of mass-production process, especially given the fact that today’s hot commodity musician may be a passing fancy of little interest to future readers and listeners.

As I also noted in the Kim Deal piece, being an interesting musician does not necessarily correlate with an ability to say interesting things about anything interesting, so a lot of those going-through-the-motions interviews are dull to write and dull to read. It’s therefore a treat when a writer is given the opportunity to speak with artists of vast proven accomplishment, and those artists have insightful and interesting perspective about interesting things, and the writer is given the column space to do justice to the story. Today’s archival article is, for me, the finest personal example I have of such a fortuitous alignment of story elements.

I wrote the piece for The American Harp Journal, the long-running periodical of The American Harp Association. It is a group interview of three of the most prominent and beloved film studio harpists of the 20th Century: Ann Mason Stockton, Catherine Gotthoffer, and Dorothy Remsen. If you have a favorite big studio movie from about the 1940s to the 1990s, and you hear a harp in its score, the odds are high that one of them played it.

I chanced upon this writing opportunity after I had engaged Albany-based harpist Elizabeth Meriweather Huntley for an event in one of my other professional positions. She was a wonderful player, and I had multiple opportunities to appreciate and recommend her work during my time in Albany. As it turned out, Elizabeth was also the editor of The American Harp Journal, and as we chatted about things at some event or another, and my music critic work for the regional newsweekly came up in conversation, she told me I might be able to help her with a project.

Stockton, Gotthoffer and Remsen were getting on in years, and the Harp Society wanted to capture, preserve and share some of their history and memories while they were still able and available to share them. Music historian Russell Wapensky (a great authority on California music-making and Musicians’ Local 47, including some epic research and preservation efforts on the Wrecking Crew’s and Beach Boys’ myriad sessions) was attached to the project, and he conducted and filmed a three-hour interview with the three harpists, aided by Remsen’s husband.

I was then given copies of those raw interview tapes and assigned the task of transcribing them and compiling their contents into a readable standalone article. This wasn’t my normal working approach, at all, but it was a very enjoyable undertaking, and I found the three harpists to be delightful long-distance companions as I listened to their stories and studied their lives and work.

It was fascinating to gain insight and perspective into just what attracted prospective musicians to chose such an unwieldy and expensive instrument, and the group psychologies and tics of those who did so and then stuck with it for decades. It was also amazing to get some first-hand perspective about some great artists of the 20th Century before their greatness had been widely recognized. Ann Mason Stockton played on some of Frank Sinatra’s very first recordings, for example, and she knew he was special, even then.

All three of the harpists featured in the story have passed away since this article was published, so I do hope that it served its purpose as a valuable remembrance of them, and a useful long-term research resource for the American Harp Association. They were delightful subjects and great artists, and I’m glad to have been given the gift of sharing their stories.

Ann Mason Stockton (1916-2006)