Note: For an index of all articles in all three Favorite Songs series, click here, then scroll down.
Who They Are: A legendary and deeply influential British folk-rock band, originally formed in 1967 and active to this day, with but one significant hiatus period in the early 1980s. The group originally and briefly focused on an (American) West Coast psychedelic sound with strong male and female lead vocalists, not unlike the original incarnation of Jefferson Airplane, before more aggressively working to meld traditional English, Irish and Scottish melodies and songs with electric rock arrangements, supplemented by exceptional original songs by a stellar cohort of composers serving within the group. According to Wikipedia, there have been 25 official members of Fairport Convention over their career arc, and 21 of them appeared with the group during its tumultuous first dozen years, pre-hiatus. But those who came, and those who left, often continued to work together in a vast and interwoven musical network that touched scores, if not hundreds, of other influential artists and acts. Among their better-known alumni were Richard Thompson (solo artist, and duo with his ex-wife Linda), Sandy Denny (solo artist, Fotheringay), Ashley Hutchings (Steeleye Span, Albion Band), Dave Pegg (Jethro Tull), and Iain Matthews (Matthews Southern Comfort). Since their reformation in 1985, the group has experienced far more personnel stability, with Simon Nicol (guitar, and the sole founder still remaining), Dave Pegg (bass), and Ric Sanders (fiddle) having served continually since that time, supplemented by multi-instrumentalist Maartin Allcock and drummer Dave Mattacks (another ’60s/’70s veteran of the group) in their earlier incarnations, then Gerry Conway (drums) and Chris Leslie (various stringed instruments) from the mid-’90s on. Conway had to step away a few years back due to health issues, and he passed away recently; Mattacks returned once again to take his place. Fairport’s Cropredy Festival is one of Britian’s longest running musical events, having been staged most years since the late ’70s, often bringing various friends and family members of the group together for unique live performances.
When I First Heard Them: Ironically, right after they broke up in 1979. I was a huge Jethro Tull fan at the time (and still am, of course), and was surprised upon arriving at a Tull show at Nassau Coliseum in support of their Stormwatch album to discover that beloved bassist John Glascock was missing (he died of a heart condition soon thereafter), replaced by some guy named Dave Pegg. The concert program referenced Pegg’s prior group, Fairport Convention, so I dutifully trundled over the Nassau Community College record lending library to see what I could discover about the group, as I usually did in those pre-Internet, and pre-having-money-to-buy-albums days. The first Fairport album I picked up was a compilation, that had a wonderful Pete Frame-style rock family tree on its cover, and I always loved parsing those:
I was pleased to learn that Fairport had relational connections with Steeleye Span, who I’d already discovered and quite liked, both because vocalist Maddie Pryor had appeared on earlier Jethro Tull albums, and because their records were always binned alphabetically right next to my much-beloved Steely Dan in the record stores, so my curiosity had already led me to investigate who they were, and what they sounded like. I nabbed a few early Fairport albums in the years that followed, though they weren’t often readily available in the States in those days; following their reformation, and with the advent of the CD-era, their records became much more accessible. I’ve only seen them live once, in 1989, fittingly opening for Jethro Tull when Maartin Allcock and Dave Pegg were both serving in both groups simultaneously.
Why I Love Them: I’d be hard-pressed to come up with another group who have so strongly displayed a balance between incredible internal songwriting skills and a sublime sense for covers, both traditional and contemporary, than Fairport Convention have demonstrated over their long career. Of course, grand songs don’t fly unless they’re recorded and performed by skilled players and singers, and Fairport have also been extraordinarily blessed with to-die-for instrumental and vocal talent. Examples: the late Sandy Denny was truly a generational talent as a writer, singer, and player; Richard Thompson continues to shine as one of the century’s greatest guitarists; early singers Judy Dyble and Iain Matthews were brilliant and under-appreciated, sometimes lost in the glow of their better-known band-mates; the late Dave Swarbrick was a charismatic player who revolutionized the way that the fiddle can be deployed in a rock setting; and modern-era primary vocalist Simon Nicol has one of those fine baritone voices that make any-and-everything he sings moving, comforting, delightful. I can’t underestimate the importance of the group’s expanded family tree in my own personal musical pantheon either; I’ve got an English Folk playlist that I spin and adapt regularly, and while it’s not filled with Fairport, per se, the vast majority of the artists I feature on it either worked with Fairport members, were influenced by their music, or emerged from the same early mergers of traditional folk and psychedelic rock that Fairport pioneered. The group’s regular personnel turnovers throughout much of their history mean that there are eras and albums that I like more than others, but the continuity and persistence of vision demonstrated for nigh unto 60 years means than their classic albums are all worth listening to, and their emergent music is always worth considering. As I worked to select my 10 favorite Fairport songs for the list below, the density of greatness of their early works really shone through; all ten of my selected cuts were originally issued on but four albums, rapidly released between 1968 and 1970.
#10. “Walk Awhile,” from Full House (1970)
#9. “Autopsy,” from Unhalfbricking (1969)
#8. “Nottamun Town,” from What We Did on Our Holidays (1969)
#9. “Percy’s Song,” from Unhalfbricking (1969)
#6. “Genesis Hall,” from Unhalfbricking (1969)
#5. “She Moves Through the Fair,” from What We Did on Our Holidays (1969)
#4. “Matty Groves,” from Liege & Leaf (1969)
#3. “Time Will Show the Wiser,” from Fairport Convention (1968)
#2. “Meet on the Ledge,” from What We Did on Our Holidays (1969)
#1. “Who Knows Where the Time Goes?,” from Unhalfbricking (1969)