I usually do my annual “Best Albums of The Year” report in late November or early December, before the craziness of the year end, and because it usually takes me more than a month to decide that I want to include something on the list anyway. (Here’s the 2017 Best List, the 26th consecutive annual one I’ve published). The downside of this approach, of course, is that sometimes I miss some truly worthy late-in-the-year releases, and those don’t get captured on the report. That happened in the waning moments of 2017, so let me tell you about one more essential disc from the year that was . . .
Jed Davis, In the Presence of Presents 2017: If you search for Jed Davis on this blog, you get a lot of results, because I consider Jed to be one of the finest songwriters of the past quarter-century, and he’s a damned fine musician, artist, singer, and writer to boot. A real renaissance rocker. Jed actually did get a mention in the introduction of the 2017 Best Albums list, as I cited The Hanslick Rebellion (they are one of Jed’s bands) with Single of the Year for their zeitgeist-defining “Who’ll Apologize For This Disaster Of A Life?” But damned if Jed didn’t slip in a year-end album-length surprise with the third of his occasional In the Presence of Presents series (now issued in 2003, 2006, and 2017), and it’s a corker.
Here’s the concept: each edition of In the Presence of Presents includes one holiday themed original song, paired with nine non-holiday covers. Simple! But, of course, in such an endeavor, song selection, arrangements, and performances make all the difference, and Jed’s three-for-three again on those fronts this time around. To give you a sense of the breadth of the covers, he’s got songs by (among others) The Beach Boys, Juliana Hatfield, Jobriath, Judee Sill, Patrik Fitzgerald, Yaz, and Kendrick Lamar. (In the last two cases, actually, that’s only one song, and it’s a mashup made in heaven). And then there’s “Wonder Woman,” by Billy Joel’s so-awful-it’s-amazing early band Attila. It is a thing, for sure, and Jed and ace session drummer Joe Abba make it an even better thing, absolutely.
Abba appears on several tracks, as does indie-superstar guitarist Avi Buffalo, while The Hanslick Rebellion, Anton and Lewis Patzner (Judgment Day), and Maryanne Fennimore appear on a cut apiece. Jed provides his usual display of sure-fingered playing on organ, guitar, bass, piano, Rhodes Piano Bass, percussion and the dreaded Baldwin Fun Machine, which brings the perfect amount of period cheese to Beach Boys’ deep cut “Busy Doin’ Nothin'”. He’s also in fine voice throughout the proceedings here, with some excellent harmonic arrangement making things sweet when they need to be, often with a little dash of bitter for leavening. Mmm, that’s good.
Speaking of harmonies: this year’s original Jed Davis holiday song — “Peditum Quod Festum Nativitatis Delevit” — is performed in Latin with but eight voices, and its narrative revolves around one of the very few things that have amused human beings from all cultures since deepest antiquity, and will no doubt continue to amuse us until we’re eventually wiped from the face of the earth (hopefully not in 2018). You’ve gotta hear it to believe it, and I know you too will be amused when you do. Ho ho ho!!!
Oh! And did I mention the part about “presents?” Well, this is one to us from Jed: you can nab it all for free by clicking on the album cover below. (And then get the earlier installments by clicking on these links: 2006 — 2003). (And then explore the amazing collection of albums Jed has helmed over the years involving a truly unbelievable collection of musicians at The Congregation of Vapors).