This version of my website was established in mid-2014, and includes posts from a variety of my other websites dating back to 1995. When I set this one to be a central clearing house, I closed most of the older domains.

There are two downsides to this sort of consolidation. First, pages that had long been Google search favorites now have new addresses, so they’re a little harder to find, and generate a little less traffic than they once did. Second, internal links get hashed up as articles move from one domain to another, while their images or related pages either no longer exist, or remain on other servers with other addresses. These are both annoyances, but I decided that they were acceptable inconveniences, given the content density that comes from having twenty years’ worth of the best bits from a dozen websites in a single (virtual) location.

For most articles, especially standalone pieces, these structural inconveniences really don’t have any lasting impact. But for long-form, multiple chapter entries, or pieces with significant inline imagery, they can be catastrophic to understanding or appreciating what I originally intended to communicate. Unfortunately, one of my most popular online pieces, the “Hidden in Suburbia” series, was particularly hard hit by changes in hosting locations and addresses. I ran multi-entry “Hidden in Suburbia” series in 2005, 2008 and 2011, and they were widely read, and still generate significant search interest. Alas, much of the incoming traffic generated by that interest now results in “404 Page Not Found” entries.

Here’s the original premise of the series:

I live in a cartographic netherworld where the cities and townships of Cohoes, Watervliet, and Colonie, New York collide, sometimes uneasily. I’m surrounded by generally well-kept homes with properly manicured and landscaped lawns, decent schools, good investment value in property, all the surface things that one generally expects to find in any stereotypical suburban scene. If you draw a circle with a radius of about two and half miles around my house, you will also see that there are lots of woods. This makes the neighborhoods look nice, with backdrops of green and nice, tidy (from a distance) wild areas separating one neighborhood from another.

This is good, because I have a deep fascination with woods. Not forests, mind you, but woods. Forests are the untamed, wild places where nature is still, for the most part, in charge, and where urban, exurban and suburban development are still ages, years and/or miles and miles away. Woods, on the other hand, are the bits of forest that are left when development occurs, stands of trees immediately adjacent to suburban civilization, the dark places where all the things that suburban civilization doesn’t want to think about go to die. Or to thrive, depending on what flavor they are. It’s shocking to find a piece of trash in a pristine forest. In suburban woods, though, you expect to find trash. People dump in there late at night, so they don’t have to drive all the way to the landfill. Kids steal stuff and take it out there to hide it, then forget about it. Teenagers smoke, drink, make out, break bottles and blow things up in the woods, leaving a variety of interesting detritus. The woods are the places where suburbia’s darkness lurks in wait, like something from a David Lynch movie.

But it’s not the specters and spirits of the woods that interest me, really, as much as it the stuff you find back there, and how the community sort of turns its collective consciousness away from it all. It may be right behind your house, but if it’s in the woods, then it’s okay, as long as it stays there and you don’t have to think about it if you don’t want to. But I like thinking about it . . . and so I ride and walk through muck, mud, weeds and woods looking for the things that no one else wants to. All of the photos and all of the stories in this series are taken and told from within a circle with a five mile circumference, my house smack in the center. It doesn’t seem like a lot of space . . . until you really start exploring the spaces between the space . . .

While working to clean up some archives for another project, I decided to see what I could do to salvage the original three Hidden in Suburbia essays. The 2011 one was pretty easy to clean up and recover, since it was posted to WordPress on the defunct Indie Albany page, and could be exported and imported with most links and references intact, and because the images were hosted on a Flickr account that I still have. Clicking the link below will bring the series up — plus a related piece called “Academia (After the Apocalypse)” — with both words and images available as they originally appeared, with the last post first, and first post last, per normal blog convention. (The post you are currently reading will appear on top at the new window, since it shares a coding category, but you can then scroll down and work back up to read them in proper chronological order, if you want; note, too, that you will need to hit the “older posts” link at the bottom of the page to see the first two pieces):

J. Eric Smith’s Hidden in Suburbia 2011: Complete

The 2008 and 2005 articles, on the other hand, are damaged beyond viable repair in terms of re-knitting narrative and images together again, so the best I can do for the two of those series is to delete the damaged pages and upload the imagery into its own Flickr set, so if you’re interested, you can see it, and I can answer any questions about it, but that’s about it. Interestingly enough, though, I have found that going through these images as a slideshow is actually oddly fascinating . . . the lack of context, and the unrelenting oddness of the spaces where woods and civilization meet, creates quite an evocative experience. Click the link below to see the whole set:

J. Eric Smith’s Hidden in Suburbia 2005 and 2008: Photo Archive

I hope that these pieces will inspire you to explore your own woods and share what you’ve found. While these images were captured along the western bluffs of the Upper Hudson River, they truly could be just about anywhere in North America where stands of old trees abut suburban and exurban development, and the universal nature of these images is what has given them their appeal over the years.