Oh No Man, I Haven’t Got The Time Time

A friend of mine died this week, too young, and too soon. He was a music nerd, cultural commentator and technology geek par excellence, and will be missed by many — in both virtual and real world spaces. He was a private soul in his personal life, so I’ll not mention his name here at this sensitive time out of respect for him and his loved ones, but I do want to publicly note his passing, and celebrate his life for those who come here and knew him.

We met in virtual space in early 1993 in the CompuServe RockNet Forum. He later launched and managed a series of online communities and websites under variations of the “Xnet2” moniker that survive to this day, with about ten folks from around the world having been connected in one way or another pretty continuously from ’93 to now. Others have also joined along the way. The community currently resides in a private group on Facebook, so when I left that social media platform, I ceased being actively engaged with them on a regular basis. I had assumed that, as has happened in the past, the group would eventually reconstitute somewhere else so that I could jump back in, but that’s apparently not to be at this point, alas.

My friend and I likely exchanged hundreds of thousands, if not millions, of written words over the years, both within the group and in private. He was always a good sounding board for me, and I tried to be the same for him. We only met in person a few times, relatively early in our relationship, when people were still figuring out what online friendships and virtual social networks were all about, so that “RLCOs” (real life conferences) seemed to be required events to cement those bonds. These days, I think most digital citizens understand those aren’t necessary, even though they’re fun when they happen. We saw Pere Ubu together once with other friends from virtual and real world spaces. That was a very good day.

My friend shared my penchant for seemingly pointless surrealist games, and was willing to create time-consuming silly things just because it was fun to do so. He and I and others in the group romped and stomped in little self-contained worlds in a variety of amusing (to us) ways and places over the years. One example: if you remember my “What Would Don and Walt Do?” page (offering random life tips from Steely Dan lyrics), I hatched the concept, but it was his programming skill that made it actually work. There was also an interactive dungeon. And a tree house. And other similarly goofy things.

We both later wrote and published novels: he inspired a character in mine, and I inspired a character in his. He recorded a great album, and I gladly wrote a press kit for it. He hosted and helped me design and maintain a variety of personal and work websites over the years, including early versions of this one. There was always lots of creative energy in the spaces between us. And some friction, I have to admit, as is to be expected over a 22-year relationship between two strong-willed, highly cerebral, opinionated, and sometimes touchy individuals. I’m glad and thankful that our last communications were positive ones. I just wish that there had been more such missives lately, but with all of the moves in my own life over the past year, I was unfortunately not the best correspondent.

The Xnet2 group that my friend organized and sustained did have a public face at some points in its history. Most people came to that portal via word of mouth from current members. Very occasionally, outsiders would join us cold, if the following “invite” on the ’90s version of the Xnet2 website didn’t scare them away:

This is the XNet2 antiSocial club.

XNet2 is dead. Long live XNet2.

If you’re interested, send an e-mail to [redacted] with “info xnet2” in the body of the message.

If you’re still interested after you do that, send e-mail to [redacted] with “subscribe xnet2” or “subscribe xnet2-digest” in the body of the message.

You’ll get the hairy eyeball from all of us if you do, so make sure you know what you’re doing, please and thanks.

Oh, yeah. It’s a community. Really. We don’t want a whole ton of people moving in. Just you. Maybe.

The SnotNet Collective

If that enticed you enough to investigate further, there was an Xnet2 Charter and an Xnet2 FAQ (Frequently Asked Questions) List, both of which were randomly generated in real time from snippets and fragments that members of the group could create and save as the spirit moved us. The FAQ List grew to contain about 1,200 mostly absurd entries before SpamBots overwhelmed it and it was abandoned. I have the full list, and reading through it provides a wonderful remembrance of the creative and fun spirit of the group and the person who built and sustained it.

So in honor and memory of my friend and creative foil, I picked my Top Ten Xnet2 FAQ’s and I share them with you below. He wrote some, I wrote some, other people wrote some, and some we just stole. They make no sense, and yet they make all the sense in the world, depending on the lens through which you view them. Life’s like that, right?

#648 (5/18/2000):

Yes yes yes, it was a very, very interesting episode in Xnet2’s history: a crime drama with both philosophical and psychological overtones. During Japan’s 12th Century, a music critic and a programmer relate conflicting stories to a young woman known as “The Mistress of Light” as the group takes shelter in the Tricycles of Love. The different tales revolve around a trucker who has attacked a couple wandering through the woods, tying the husband up and forcing himself on the wife. The husband was found dead in the forest by the music critic, but what actually happened between these people is inconclusive. The trucker, the wife, the husband (through an Australian medium), and the music critic all present different and irreconcilable versions of the events in question to the authorities. The music critic and programmer are disturbed by the absence of an objective truth, but the young woman seems not to care. The three find an abandoned baby inside the Tricycles of Love, and the young woman steals some of the items left with the child and leaves. The programmer fears for the baby’s safety, but the music critic states he already has several children and offers to care for this one as well. Weird, huh???

#738 (12/14/2000):

Was the fire in a transformer box, the round garbage can looking thing with a couple of insulators and wires leading in and out? Did it drip anything cool on the ground? Did the neighbor’s cats lick it up and turn into Wizard of Oz flying monkeys before they died screaming?

#465 (10/8/1999):

Bambino fui merino, Bambino fui un puta.
Bambino fui asi asi, Bambino fui prosciutto.
Bambino pecorino, Bambino molto gnocchi.
Bambino-bino-bino fui un roll e roll e rochi.
— “Rock and Roll Genoese” by Xtobal Colon, 1492

#1004 (7/6/2004):

Employee X is a 52-year-old accountant and holds an MS in Accounting. He started working in New York City restaurants in 1992 and continues to enjoy the torture of restaurant employment. As a result of his restaurant experience, he is familiar with virtually every aspect of restaurant operations, as well having gained an insight into the minds of its owners, staff, customers and vendors. More importantly, Employee X’s dubious past gave him an inside peek into the brains of the freeloaders, ass-lickers/kickers and ecstasy club kids that have come to define a certain segment of the restaurant industry. Employee X chooses to hide behind a pseudonym out of an overwhelming respect for the Slavic mafia.

#147 (8/8/1998):

Mistuh Whatever is here tonight. He gonna git down tonight brother. He gonna git wid it.

#80 (7/8/1998):

It’s all in your head. We spent years trying to get it all out, but not the merest portion would come forth, no matter how we drilled.

#46 (1/6/1998):

Intuition just bein’ logic you ain’t quite figured out.

# 715 (9/17/2000):

Once upon a time there was this list, see? Almost like a regular internet mailing list, only . . . not. No real subject, no real raison d’etre, if ya know what I mean, just a bunch of folks who kinda sorta knew each other (“friends”) suddenly roped together into a chain gang, or a reality tv show, out in a still-unsettled frontier corner of cyberspace, where the people were a little . . . off, all of em, in their way. “Quirky.” “Eccentric.” A real esprit de corps, tho, if ya get my drift. Possessed of a sense of *PURPOSE*, but no idea [thankst gawd] what that purpose might be. Anyhoo, that list blowed up and reassembled itself a few times, one too many times, and the final blow-up was way nasty. All the folks were sitting in their booths, chowing down on Big Macs and Pronto Pups and soy burgers and sate and parathas, smirkin’ and snarlin’ and sneerin’, when all of a sudden a coupla heads exploded, just like that, squirting hair, teeth and eyeballs, and special sauces of various flavors [no vegemite, tho!] in a zillion directions, all on the plate glass window out by the jungle gym, on the uniform of the manager (whose own head had, not coincidentally, been one of the ones that exploded), on a few particularly surly customers (the Gary Glitter dude, in particular, got blown across the room and wound up in a barrel of peanut saus, and was ejected from the joint looking like a headless tub of goo who’d, uh, had an accident). Some of the folks who were there headed for the hills, some of em re-grouped and moved to Brighton, where they amuse themselves to this day sitting on benches, playing skittles and cribbage, occasionally staging three-legged races and such. And we, many of us, wound up here.

#311 (1/16/1999):

They are tuned into fighting and procreation, and as long as you ain’t humping along on your belly going bbrrrrup bbbrrrrup bbbrrrrruuuup they ignore you.

#49 (1/6/1998):

Whatever this is, this is NOT art.

Shumëllojshmëri

1. Rosie the orange point Javanese cat joined our family in July 2004. She had some personality quirks, and a complex relationship with our other cat (The Bumble) but has been a sweet member of the household all these years. On Wednesday, she had rapid onset kidney failure and left us. She will be missed.

The Bumble will not have to share her toys with Rosie anymore.

The Bumble will not have to share her toys with Rosie anymore. Farewell Nervous Orange Kitty!

2. Marcia, our friend Kelli and I attended a wonderful concert by the Anat Cohen Quartet on Thursday night. A spot on review from The Tribune‘s Howard Reich here. If you are not familiar with her work, I highly recommend you check out Cohen’s latest album, Luminosa, from which her set list was drawn. The cross pollination of Brazilian musical motifs, Cohen’s Israeli upbringing and current Brooklyn music scene sensibilities makes for an intoxicating mix.

3. On our way back from the Cohen concert, as we tooled southward on Lake Shore Drive, Marcia and I were treated by a shockingly large and bright fireball dropping from the sky. It was at the back end of Leonid Meteor Shower season, so I’d expect to see a few streaks and flashes across the empty sky over Lake Michigan, but nothing this dramatic. It reminded us a family vacation at Acadia National Park when Katelin was little. We went to an evening educational program after dark, and the docent at one point in his talk about the stars raised his hands over his head and reminded us how the ancients looked up at the same sky we did. As if on command, the largest bolide I’ve ever seen rocketed across the sky, disintegrating with an audience boom. After a moment of stunned silence, our presenter received what I suspect was the biggest round of applause he’s ever gotten for that talk.

4. My current “Serial Monogam-E” home (the one place on the web where I most frequently interact in real time with other people) is the Fall Online Forum, where a quirky international collection of music nerds and culture geeks gather to share their affections (most of the time) for Mark E. Smith’s timeless group, The Fall. The gang is currently deep into The Fall Cup, parsing all 502 songs in the group’s catalog down to a single champion, in the same tournament format that I use for a lot of writing projects here. We are currently on the cusp of boiling a Final 32 down into a Sweet Sixteen, and the whole shebang should wind up in mid-December. If you’re a fan of the group, I heartily endorse joining the Forum and helping us make the big Cup decision for the first time since 2007’s tournament. And even if you’re not passionate about The Fall, the Forum is a delightful and deep treasure trove of cultural arcana, with pretty much something for everything, especially nerds like me who like lists, polls and strongly held opinions about way too many topics. See you there?

5. Having completed my 2015 Album Of The Year Tournament, the next musical tradition in our household is the annual resetting of playlists in the family iTunes account, which combines play data from six iPods used by various of us in different places and times. It’s always interesting (to me, at least) to see how our listening habits overlap to create a mix of most-played songs that are eclectic, to say the least. Looking at the table now, the Top Ten includes a soundtrack song sung by a famous actor, a classic jazz number from 1951, some old school reggae, African music, and anthemic rock from one of the world’s biggest groups. It will be interesting to see how much it tweaks out in the next couple of weeks before I reset it all, clearing the decks to tap other components of our 10,000+ song collection on the computer.

Farewell, Metroland?

For the first time in 38 years, Albany-based alternative newsweekly Metroland will not publish a new edition this week, following the seizure of its offices and property by the New York State Department of Taxation and Finance. Having just read Paul Grondahl’s interview with Metroland Editor and Publisher Stephen Leon, I’m not seeing any likely scenario where the once vibrant paper is going to be making a return anytime soon in anything approaching its historic editorial and aesthetic configuration.

That’s sad news for me, since I have a deep history with the paper, and I owe Steve and many members of his team a debt of gratitude for allowing me to become part of the Albany cultural community in ways that would have been largely closed to me without my Metroland bylines and connections. While the left-leaning, sometimes sanctimonious paper was certainly not universally loved in and around Albany, it had wide distribution and extensive name recognition, and it was the go-to resource for the region’s cultural calendars for years before the internet rendered it irrelevant.

My history with the paper actually pre-dates my time in Albany. Marcia and I both worked on media and press relations for the Naval Reactors program in Washington, DC in the late ’80s, and Metroland was a thorn in our side for its nagging, niggling coverage of a series of whistle-blower based incidents at the Knolls Atomic Power Laboratory in Niskayuna. While I can’t discuss the details or merits of those claims and Metroland‘s coverage thereof, I can tell you that the paper was doing its job from a journalistic standpoint, raising questions and covering angles that the larger daily papers were often missing at the time.

It was my job with Naval Reactors that later brought us to the Capital Region after a stint in Idaho, and through a fortuitous series of personal network connections (thanks, Paul Rapp!) I found myself as one of the new music critics for the paper in 1995 — hot on the heels of a financial meltdown and recovery that ousted the original ownership group and replaced it with Stephen Leon’s team. My first two articles were reviews of records by The Roches and Foetus, and I oscillated between such extremes throughout my time with the paper, eventually branching out into travel writing, interviews, think pieces and other feature work.

I freelanced for Metroland for nearly a year while still working for Naval Reactors, keeping a low profile (beyond my bylines) on both fronts, given the awkward history between my full-time and part-time employer. I rarely went to the Metroland offices during my first year with the paper, which helpfully allowed me to remain largely unrecognized and unknown in the local music community when I started covering it, thereby providing a degree of safe objectivity as I lurked in the shadows at concerts. Even the other Metroland writers had no idea what I looked like or who I was for much of that period, and a former editor once told me she was shocked when she met me, as she expected me to be a leather-garbed, long-haired, heavily pierced rock n’ roll rabble-rouser, based on my writing style and interests.

When I resigned from Federal service in 1996, Steve put me on a steady weekly retainer, which was tremendously helpful as I made the transition from government to nonprofit service. I’m still grateful to him for that key opportunity at a key time. I ended up with over 750 bylines in Metroland between 1995 and 2003, plus probably another couple of hundred pieces that ran without credit, e.g. the “Noteworthy” columns of key upcoming concerts. The first incarnations of my personal website included a lot of these pieces, way back in the days before Metroland itself had much of a web presence. The exposure I gained from my work with the paper directly contributed to my involvement (eventually as on-air host) with Time Warner Cable’s Sounding Board music television show, along with many other freelance writing assignments over the years. It remains a great item on my professional resume.

I stopped reviewing live music for Metroland when I started booking shows at the Chapel + Cultural Center in 2002, as I considered it tacky and unprofessional to fill both roles within the same market. I later asked that my name be removed from Metroland‘s masthead during the early days of the Iraq War, as I was uncomfortable with some of the positions and tone that the paper took with regard to the soldiers, aviators and sailors (and their families) who served at the time, and did not want to imply my approval thereof in any fashion. It was a good run, and I mostly enjoyed it all, except at the very end.

All that being said: even back in 1995, it was something of a running gallows-humor joke among the freelancers that remuneration for our services was going to be neither quick nor efficient, and the lag-time between submission and payment for works often grew to six months or more during my time with the paper. When I was writing every week, this didn’t bother me all that much, since I eventually got to the point where I had a paycheck every couple of weeks — even if it was for work that had run months before. But for those who depended more heavily on these paychecks than I did, it was certainly a burden, and it apparently got worse after I left, when I heard tales of bounced checks and even longer lag times.

I suppose, then, that it shouldn’t come as much of a surprise that the tax man was treated no better than the creative types who made the paper possible. It’s a slippery slope once you decide to forsake timely payment of obligations, and once you get away with it, it’s a hard habit to break. Still, though, it’s a rotten ending for a business enterprise that made a difference in its own ways. I hope that Steve and the current staff and freelancers (plus their families) will be okay once the dust settles — though I suspect that will be a long, painful process along the way, and that once it’s done, Metroland will either cease to exist, or will become a captive faux alternative arts and culture advertising broadsheet for one of the region’s daily newspapers.

End of an era, either way.

1,000

WordPress tells me that this is the 1,000th post on J. Eric Smith Dot Com. Huttah!

I’m guessing that there aren’t a lot of solo blogs out there that hit this mark — though in reality, I’ve actually been far more prolific with my online writing than the post count here would indicate. This version of the blog compiles and consolidates a lot of earlier sites, and I deleted a lot of things along the way that I didn’t want to carry forward, or that I reserved offline after original publication for other purposes.

Here’s the tale of the tape: I have maintained an active online presence since 1993, launched a personal website in 1995, and blogged regularly since September 2000. The website you’re reading now is the fourth incarnation of my blog. The first served as a repository for over 750 reviews and feature articles I wrote in the ’90s for print clients, before most of them even had their own websites. The second version focused on creative writing projects, including a poem a day published in 2004; several articles went viral during this period, helping me to develop a very strong online brand. The third version provided an archive of professional posts written for commercial and academic purposes.

This current, fourth version of my online home consolidates all of these earlier pieces — professional and personal, entertainment and education, left brain and right brain, humorous and serious — dating back to 1995, and serves as my home for new writing of all flavors. It also incorporates pieces that I wrote for other blogs and websites, often under pseudonyms. I’m not telling you which ones they are and where they originally appeared, though. If you recognize them, a gold star for you. But then: Shhhh!

I’ve made some money on some of these items, and used others of them for professional and academic pursuits that had high return on time investment beyond initial compensation, but this website ultimately reflects the fact that writing is my primary hobby. It’s the thing I do to enjoyably fill spare time, some of which might truthfully be better spent doing other things, but such is the nature of creative compulsion. I enjoy scribbling, and I appreciate having a public forum to do it.

That being said, by being such a diligent, sometimes feverish hobbyist over the years, I have definitely made myself a far better and faster writer at work, and my ability to communicate via the written word is now the cornerstone of my marketability to employers and clients alike. So all things considered, I’m at peace with having freely shared a lot of my work online, minus one unfortunate foray into unpaid writing for a venal and unethical commercial website that ended poorly. We live and we learn.

If you’re new to my site and writing and want to know more, here are the ten posts that WordPress tells me are the most frequently viewed by my site’s visitors, excluding the front page and general information sections:

On Success, And Who Defines It

The Worst Rock Band Ever

Understanding Organizational Development

March of the Mellotrons: The Greatest Classic Prog Rock Album Ever

Top 20 Albums of 2014

Let’s Take It To The Stage: The Greatest Live Album Ever

How To Write A Record Review

Five Common Misconceptions About Nonprofits

I Like The Bee Gees

You Ain’t Got A Dog In That Fight

That’s an interesting (to me) combination of pieces covering a pretty broad spectrum of my writing subjects and styles, and I get why some of them are popular, though not so much with others. So as a supplement to the voice of the people with regard to my writing, here are ten additional pages that I personally would consider as contenders for the best 1.0% of the work archived here — recognizing that creative people are often the worst judges of their own work, and that if asked to recreate this list a year from now, it might look very different:

The Road to Anywhere

The Analog Kid Speaks

Compassionate Grounds

Rock And Roll Is Not Collective

Moments: Portugal and Spain in Six Tiny Vignettes

James Joyce Vs Breakfast

The Grease Group

Rulebound Rebellion: An Ethnography Of American Hardcore Music

Jefferson Water

Sweetman

So there’s 20 pieces for you to read or re-read, if you’d like to help me celebrate my 1,000 post milestone here by engaging with the back catalog. There’s also a pull-down menu at the right that allows you to trawl back through the archives to 1995, and the search bar is always an effective way to find what you’re looking for — or to surprise yourself by finding what you weren’t. And if you’ve got a favorite that I’ve not mentioned, let me know. I might have forgotten that it existed, and might enjoy re-reading it again!

Regardless of where you surf on from here today, thanks for reading and playing along all these years. It has been — and remains — fun to have a big online sandbox to play in, and I appreciate you all bringing your buckets and shovels over every now and then.

Kholimog

1. I accepted a new job in the Chicago metro area today. I need to let public announcements be made through proper channels, but suffice to say at this point that it’s a grant-making organization with an international reach, it had an excellent board and staff, the mission is deeply resonant to me, and the board has recently completed an exciting transformational strategic vision for the next five years. It feels good to have that piece in place. I’ll be starting the new job on August 24. I’ll be thinking about this when I do it. Watch this space for news when I can say more. And then send me money.

2. Once upon a time, I had two closets full of vinyl albums. Then some years later, that arrangement was replaced with two book shelves filled with compact discs. Today, my entire music collection fits on a one terabyte hard drive that’s about eight inches by six inches by two inches. I suppose this is progress, since now I have more room in my car for stuff like clothing when I move from place to place.

3. As part of my final CD unburdening this month, I found a box of compact discs from a lot of Albany artists who I have not listened to much in recent years. I have very much been enjoying having Beef, The Wasted, The Wait, Small Axe and others in the iTunes mix again. I was dismayed, however, to discover that I was missing a crucial piece of the Small Axe canon: their first CD release, A Shot to the Body, which was released in 1997 on their own Shithouse Rat label. It’s a fantastic record. I reviewed it when it first came out, noting “it won’t sell many copies in its initial pressing, but will be hailed as a great lost masterpiece two decades from now when some 21st century music critic rediscovers it at a garage sale and slaps its choicer cuts on the Nuggets, Volume LXXIII compilation.” Apparently, it might be own copy of the album that’s going to trigger that response someday, since I can’t find it anywhere. If anybody has a spare copy of A Shot to the Body, let me know, and I’ll be happy to work with you to figure out a way to get its contents onto my hard drive.

4. We are one week from Pluto and Charon! I watched New Horizons’ launch nine years ago while sitting at my desk at the Chapel + Cultural Center at Rensselaer. Then I spent a good portion of the next year or so posting as the character “Pluto Rocket” on the late, lamented Upstate Wasted and Upstate Ether boards, long before people did such things on Twitter as a matter of course. After a brief loss of communications scare last week, New Horizons is sending ever-more astonishing images of the Pluto system, and I can’t wait to see what the next few weeks bring as it zips past its primary target and heads deeper into the Kuiper Belt. As I’ve said many times in this blog: we are living in a glorious era for planetary exploration. Relish it!

5. I’ve written before about my reluctant decline into twittering, and in recent weeks, I’ve found myself once again questioning whether I’m a point where I just need to decide that the social media era of my life is over, completely. Since I tend to follow specific areas of interest (politics, music, space), what I find is that I’ll have these long periods where it seems that everything that crosses my screen is about the same thing — and much of the time, it’s something I don’t care about, or that actively annoys me. Case in point: the recent Twitter coverage of some new documentary about Amy Winehouse. I did not care about her or her music when she was alive, and I do not care about her or her music now that she has died a junkie’s death, either. But the hyperbolic word salad spewed about her on Twitter is filled with nonsense about how we’re somehow all culpable for her death, and how we’re somehow all responsible for her “harrowing” upbringing, and how watching this documentary is going to change us all forever, somehow. But we aren’t, and it won’t. And I don’t want to see or hear anything else about it. Or about Donald Trump. If you tweet about either of them, I’m likely to stop following you. Just so you know.

Twittering Killed the Blogosphere Star

(With apologies to The Buggles).

When compact discs first appeared on the market, I resisted them for many years, despite their advocates’ claims regarding their superior sonic quality and durability. My reluctance to adopt this new technology was not based on lack on interest in its purported benefits, but rather because I was the proud owner of some 2,000 vinyl albums — and I knew that once I made the leap to a more effortless platform for music listening, I would never return to the collection of clumsier, fragile, two-sided platters in which I’d invested so much time and money.

Of course, I finally succumbed to the allure of CDs and eventually sold off most of my vinyl, long before hipsters made pops and scratches cool again. And then iPods came along, and I also resisted their allure for a couple of years, while anxiously staring at the now massive piles of compact discs I’d accumulated over the prior two decades — many of them containing music that I’d already purchased in now unplayable (by me) vinyl or cassette editions.

No surprise, then, that the same cycle repeated itself again, and I now find myself with a catalog of some 12,000 songs stored on my computer (with external backup, of course), while my compact discs gather dust and take up shelf space. Once again, I find myself purchasing certain songs and albums for the third, fourth, or maybe fifth time, doing my fair share to support the artists I admire. (I should note that I never bought into the whole Napster-spawned “music should be free” paradigm; that always felt like theft to me, even if “everyone” else was doing it). I guess that’s progress, sort of, though each step forward comes with a wistful, lingering sense of loss for that which came before.

In contrast to my reluctance to embrace new musical technology for fear of devaluing my prior investments or losing access to my catalogs, for most of the past quarter century, I’ve been been very quick to homestead or adopt the new communications platforms offered by the world wide web. I’ve not generally felt any sense of loss or regret as I moved from ASCII bulletin boards to Compuserve’s Rocknet Forum to the Xnet2 Liste to my own website (you are here) to a blog (you are also here) to any number of social media platforms and virtual communities, some of them passing fancies, some of them long-standing online homes. Each step forward was generally a better one, or at least a lateral move, and if I lost something in transition, it was usually something I was glad to leave behind.

Until now, that is, thanks to Twitter. I resisted the ubiquitous micro-blogging application when it first came along, not because I worried about it impacting my other online platforms, but because I frankly didn’t see the use or benefit to typing in 140-character blocks of text on a phone. I can barely say “hello” that briefly — because I am a writer, sir, not a sparrow! Still, philosophical grumpiness aside, I eventually established a Twitter account, largely for work purposes, and occasionally tweeted the odd bon mot to the small cadre of folks who followed me, while continuing to chug away on my blog and other online outlets. It seemed but a mild diversion.

But then last year I finally grew tired of the soul-sapping force of social media communities like Facebook and dropped all of those platforms, and I found myself foraging Twitter more often for the sorts of political and cultural piffle and tripe that I used to harvest in Zuckerland and environs. And then I started responding to the things I found there, forcing my natural verbosity into the tiny chunks of text that the Twitter Gods allowed me to share, even embracing such terrible writing habits as substituting “&” for “and,” or not spelling out numbers lower than twelve (12), or compressing ellipses from the proper “. . .” to the less-space consuming (but incorrect) “…”.

It didn’t seem to be a problem at first for me, since I still kept a long list of “things to blog about” on my office white board, and generally wrote regular long-form articles, followed by tweets to promote them. Useful synergies, as it were. Until the fateful day when I posted a tweet about something — I don’t remember exactly what it was — and I decided that my one little block of text was all I needed to say about that topic, and I erased a line from my blog white board. And then another intended blog post was boiled down to 140 characters and erased. And then another. And then another.

And all of a sudden, I find that I’m not really much a blogger anymore, am I? While I used to launch three or four long and thoughtful posts a week into the blogosphere for my readers’ bemusement, I now just toss a dozen or so tweets into the air up there, where they spin briefly, and then vanish, never to be seen again — unlike the vast archive of blog posts here dating back to the earliest days of the internet, all of them easily searched, accessed and referenced when needed, by myself and others.

I have a sense that this is not a good thing, though I know that I am just as unlikely to go back to regular long form blogging now as I am to go back to listening to vinyl albums, hipsters be damned. And safe in that knowledge, for now, I am content to tweet regularly, write here on the blog occasionally, and listen to songs with no sleeves, stored on a computer, carried about on a pod — until such time as the Gods of Technology move their hands across the waters again, and I have to buy King Crimson’s Larks Tongue In Aspic for the eighth time, and learn to compose 30-character Queeflets by blinking my eyes rapidly in front of my KinphablaPad Nanodroid.

Oh, brave new world, that has such sparrows in it!

Tweet! Tweet tweet, I say! Tweet!