Note: Here is my “Leading Thoughts” column from the January 2019 edition of TREE Press, the monthly gazette of TREE Fund. You can read the latest and back editions, and subscribe to future installments, by clicking here. Also, if you don’t get the reference in the title of this post, then you must go play this video while or after reading the article.
It’s always an extra treat to travel when you’re a tree nerd, since you get to play “canopy compare and contrast” between your home turf and your destination(s) while you are abroad. Marcia and I greeted 2019 with a trip to London and Paris, and my FitBit tells me that we walked 160,000 steps (about 80 miles) over the course of the week, much of that time spent with me ooo-ing and ahh-ing at special street trees or historic park trees or “what the heck is that?” trees we passed as we ambled about.
I love London Planes (Platanus × acerifolia) anywhere I spot them, and it was particularly delightful to see so many mighty specimens at the heart of their namesake city, their dappled trunks striking in sun or shade, and their distinctive seed balls providing “winter interest” as you surveyed the streetscape. In Paris we strolled the Bois de Boulogne with its native and curated forests, and we admired the Tilias that abound throughout the city, and which lay people call lindens, or basswoods, or limes, depending on where they make their homes.
We spent a lot of time in airplanes getting to and from Europe, and also had a nice EuroStar train trip via the “Chunnel” between London and Paris. This gave me a hefty amount of quiet time to read (more than I normally have, anyway), and the tree nerd in me was happy with that prospect, too, as I read a most remarkable book about trees, and people, and people and trees called The Overstory by Richard Powers.
I have to assume that if you’re reading this article in the TREE Fund newsletter that you’re at least a little bit of a tree nerd yourself, too, and so I most heartily recommend this book to you. It’s a transcendent novel that twines the tales of a half dozen wildly dissimilar humans into a single, solid, towering, powerful creative monument, with every step of the story given shape and substance by trees. The New York Times perhaps captured this concept best in their review of the book, where they noted “humans are merely underbrush; the real protagonists are trees.”
While The Overstory can resonate with those who don’t necessarily love or know their trees (e.g. it was shortlisted for the prestigious Man Booker Prize, awarded to the best novel in the English language issued each year), it was positively electrifying to me given my professional avocation. It’s not every day that mycorrhizal networks pop up and play key roles in a work of fiction, after all, but they’re quiet superstars here.
Like all great novels, The Overstory leaves the reader with a lot to consider when it has run its course, and while not everyone may agree with all of Powers’ implied or explicit lessons and morals, I can guarantee that his words, his stories, the magic of his prose, and most of all his trees will resonate with you all.
Happy reading, and let me know what you think!