Cumulation

1. Today is my father’s 75th birthday. Unfortunately, my family and I will not be able to celebrate it with him, as he was killed by an elderly driver in 2002, soon after he retired from a life of hard, hard work. Here’s a piece I wrote about him five years ago today, on his 70th birthday. All the sentiments still hold true, most especially how much we miss him, and how important it is that people surrender their car keys when they can no longer safely operate a motor vehicle. If you find yourself or a loved one in that circumstance, do the right thing and make the transition. It will be hard, sure, but the devastation caused by one little slip on the roadways is a whole lot harder, for everyone involved.

2. Marcia and I made a quick road trip to Chicago this past weekend to catch Yes in concert, performing their epic albums Fragile and Close to the Edge in their entirety. (Both of those records performed exceptionally well in my long form music essay, March of the Mellotrons, which attempted to identify the greatest classic progressive rock album ever, says me). It was a fantastic show, with new singer Jon Davison doing a magnificent job of hitting those high notes that Jon Anderson originally sang, as bassist Chris Squire and guitarist Steve Howe added their signature harmonies. Geoff Downes was fun to watch as he switched between a dozen-plus keyboards, and stalwart drummer Alan White kept things swinging more than you might expect given the complexity and density of the music. Howe and Squire are the stars of the show for me, though, when it comes to Yes, and they are truly magical to watch onstage when they’re playing at the top of their form, which they were this weekend. Definitely a better performance than the last one I caught at the Saratoga Performing Arts Center when the group was touring The Ladder in 1999. Marcia won the “Good Sport” award for attending this one: when we sat down, we had a bunch of drum techs from Ludwig sitting around us, discussing their trade, while gaggles of gear nerds congregated at the front of the hall, snapping photos of the amps and keyboards. Not quite the same crowd we experienced when we went to see Nick Cave and the Bad Seeds in Milwaukee last month, needless to say. She will get further Good Sport points when we travel to see King Crimson and Ian Anderson later this summer. I tried to parlay her Good Sportiness into a pair of tickets to this, but, alas, she does have her limits.

3. We also popped in to the Chicago Institute of Art of see their exceptional Rene Magritte Exhibition. We will be traveling to Magritte’s native Brussels, Belgium in a few weeks, so it was a good way to get a sense of his work in preparation for that trip. The exhibition was wonderfully curated, paced, interpreted, hung and lit — the latter being particularly important in establishing mood, with Magritte’s works floating like dreams in mostly dark rooms. Of course, we live in modern, selfish times, so our ability to appreciate the lighting work was often marred by people checking their cell phones or texting or shooting selfies, their garish screen glare and flash routinely destroying the night vision that some of the rooms required. I also found the use of audio wands to be distracting: while they’re probably better for your ears than ear buds are, it’s really annoying to be in a room where 20 people are playing them at high volume, creating a tinny, trebly, hissy background din, often exacerbated by the person with the wand having to explain to the other members of their party (at high volume) what the wand was telling them in real time. Whatever happened to the days when museums felt like libraries, and people knew to be quiet, reflective, and respectful? It seems to me that with good written interpretive materials, and occasional opportunities for guests to take guided tours, where docents provide additional context and information, museum visitors should be considered smart enough to enjoy art without having a noisy stick by their heads or a glaring screen in their faces. Call me old fashioned . . . but that’s how I’m running my own museum, and I think it’s an effective model, technology be damned.

4. Marcia got yet more Good Sport points for continuing to humor my desire to never make the same trip in Iowa using the same route, while trying to drive on as many highways, byways and dirt tracks as possible, seeing as much of the state as can be seen from the road. I’ve continued updating the map I started back when I did my original 99 County Tour of Iowa in 2012. See paragraph number four of this post to see the map when I finished the 99 counties. And then below is what it looks like these days. Ride on!

IAmap

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