I have a whiteboard on the wall of my home office, next to my computer, where I write down ideas for articles, stories, poems or projects, many of which end up here at Indie Moines. Some things, of course, are posted on the blog without ever passing through the whiteboard, dumped straight from frontal lobe to keyboard in fit of inspiration. But some things go on the board and never quite ripen to full fruition, so they often get consolidated into omnibus blog posts involving several short pieces, in lieu of one long one. As I look at the whiteboard tonight, it looks like it’s time to do a little slate cleaning, as I’m running out of space to write new things. So tonight’s omnibus post clears everything off the board, so I can wash it clean, and start afresh. You’ve been forewarned . . .
1. Before there were blogs, there were journals and diaries, and Robert Fripp has been keeping one of the latter since his youth. Fortunately, he’s chosen to share it online with interested readers, including me. I admire him immensely for his guitar-playing skills, of course, but I also admire him immensely as a man: he loves his wife and his pet rabbit, he stands up for what he believes in (even when it is unpopular to do so), he offers sage counsel and wisdom in fields where he is expert, and he appreciates the little things that make life lovely. I especially liked this quote from his August 23, 2012 entry: “How wonderful life can be, in its small details, when your home is where you live.” Amen.
2. Speaking of Robert Fripp, The 40th Anniversary Editions of the King Crimson catalog that he is producing with Steven Wilson of Porcupine Tree are revelatory and masterful. They have moved Starless and Bible Black and Lizard up into my all-time favorite album list, and I am really looking forward to hearing Lark’s Tongue in Aspic later this year, since I’ve listened to live versions of songs from that album more than the studio originals in recent years, and hope that the 40th Anniversary treatment lets those studio recordings soar the way they ought to.
3. The vocalist-bassist on Lark’s Tongue in Aspic was John Wetton, later of Asia fame. Before he joined King Crimson, he played with a group called Family, and the two albums he released with them, Fearless (1971) and Bandstand (1972) are also among my all-time favorites, and have also been relatively recently released in strong, well-mixed digital editions. Worth seeking out, if you’ve never heard them. They are sort of cross between a classic progressive rock group and a rowdy English blooze band. Here’s a great live cut from 1971 with Wetton strongly featured: “Spanish Tide.” He’s the one playing the twin-necked guitar and singing.
4. I don’t watch a lot of television, but I’ll generally have at least one show at any given time that captures my attention enough to watch live or make a point of recordings. My current favorite television show, that I tape and watch religiously? Adventure Time. It’s mathematical!
5. The locations of the nine greatest restaurant meals that I have ever eaten, and who I ate them with:
Channel Bass Inn, Chincoteague, Virginia (long closed, me and Marcia)
Cafe Marquesa, Key West, Florida (me, Marcia and Katelin)
Zuzu, Napa, California (me and Marcia)
River Street Cafe, Troy, New York (no official website, many meals with many people)
Driftwood, Oranjestad, Aruba (me, Marcia and Katelin)
Barbes, New York, New York (me, Marcia, Katelin and our friend Pat, two meals)
Hótel Búðir Snæfellsnesi, Búðir, Iceland (me, Marcia and Katelin)
V Mertz, Omaha, Nebraska (me and Marcia)
Unknown parilla (steak house) in La Recoleta, Buenos Aires, Argentina (me, Marcia, Katelin and Katelin’s friend, Kenna. I can’t find the name because apparently it has closed; I know where it was, but it does not show up on maps anymore).
6. The greatest story songs of all time (I’m not doing all the links this time . . . you can find them if you want the proof):
“Ode to Billie Joe” and “Fancy” by Bobbie Gentry
“1952 Vincent Black Lightning” by Richard Thompson
“One Tin Soldier (Ballad of Billy Jack)” by Coven
“Buenos Tardes Amigos” by Ween
“Lady Waters and the Hooded One” by Robyn Hitchcock and the Egyptians
“Common People” and “Sorted for E’s and Whiz” by Pulp
“The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot
“The Night the Lights Went Out in Georgia” by The Band
“Paradise by the Dashboard Lights” by Meatloaf
“El Paso” by Marty Robbins
“Maddy Groves” by Fairport Convention
7. Gay Tastee’s “Beautiful Brand New” is one of me and Marcia’s all-time favorite songs, a hands-down desert island disc for us both. There’s a video for it on Youtube that somehow makes it even more poignant and haunting than it already is. You need to see it.
8. XKCD’s Click and Drag is the coolest interactive web experience I’ve had since, oh, I dunno, maybe the day I discovered snarg in 1995 or so. Go explore it, and don’t miss the underground civilization, nor all of the things up in the sky.
9. Vacations are the time to do things that you don’t normally do when you’re at home. When we were in Wyoming, this included going to see the idiotic final Batman movie. The experience made me even more firm in my resolve to never again pay to see a movie based on a comic book superhero. Of course, given the total lack of imagination evident in Hollywood in recent years, this pretty much means I’m just staying home and watching “Adventure Time” most nights.
6 thoughts on “Many Too Many”
Re #2: The remix of Red was pretty extraordinary, even played in stereo. (No 5.1 set-up at my house. Yet.) I see the rest of these remixes coming to my house in the very near future. Wilson really has done great work on these records.
My impossible dream: a good remix of a live album (e.g. Absent Lovers) and a really well-mixed version of my favorite Crimson track from the 80’s, Sartori in Tangier. That is one fun piece, and Fripp shreds on that like nobody’s business.
I don’t have 5.1 either. I think I still worry that it’s going to be a repeat of the Quadrophonic system I owned in the ’70s . . .
7. I dunno if it is one of the “greatest” story songs ever, but King Missle’s “Detachable *****” is a pretty good one. At the very least it is a solid cautionary tale set to a pretty decent riff. That gets you points in my book.
However, it does lack a Part 2, unlike one of their other great story-songs, “The Boy Who Ate Lasagna and Jumped Over a Church.”
(Smiff–you got a copy of that 7″? I been looking for one for DECADES…)
My fave story song by King Missile is probably “Cheesecake Truck” or “Take Stuff from Work” . . . . I liked their earlier stuff with Dogbowl best, and his solo album, “Flan,” is probably the greatest story ALBUM ever. He wrote it as a book first, then told the tale with amazing music. “Metropolis” (from that album) is one of the most harrowing narratives of a post-apocalyptic city scape and the horrors that it might hold ever written or recorded.
2. His solo material is also exceptional; Raised in Captivity is, in fact, the album that bumped Yes off my best album list last year.
4. TV is gone from my house as of last November. I keep Hulu Plus around for the wife and kid to get their fixes. Even the shows I used to watch religiously I’ve given up, with one exception: Haven. At some point in 2011 it went from being decent and amusing to being the best-written show on TV. Third season began last week, I’ve got the two new episodes queued up…